About Fragility Molotow ink and acrylic paint on canvas, 170x130cm, 2025.
























Silence Molotow ink and acrylic paint on canvas,  90x 70 cm, 2025.










Smokehands
Molotow ink and acrylic paint on canvas, 30x20cm, 2025.











About negative space
Molotow ink and acrylic paint on canvas, 70x50cm, 2025.
















The Truth About the Truth Vol. II

Molotow ink and acrylic paint on canvas, 32x24x5cm, 2025.

The Truth About the Truth Vol. II is part of an ongoing investigation in which I explore how painting can expand into three-dimensional space without fully becoming sculpture. In this piece, I present a fake book: a pictorial object that cannot be opened or read, whose only information is a cover that ironically promises to reveal “the truth about the truth” in a nonexistent second volume.

My intention was to create a work that highlights the fragility of certainty, which is why I chose to construct a fake book. Each medium—whether painting or photography—carries a set of characteristics and symbolic associations within our culture. For instance, we tend to accept photography as a document of reality. This perception is precisely what artists like Joan Fontcuberta challenge in works such as Fauna Secreta, where he uses a supposedly truthful medium to present invented species, thereby setting a trap for our visual credulity.

In the same way that photography is commonly associated with visual truth, books are deeply linked to knowledge, science, academia, and authority. There is a part of us that tends to believe that if something is printed in a book, it must be true. This work plays directly with that trust: it presents itself as a book that promises a definitive truth, but in reality, contains nothing. There is no text, no pages, no substance—only a carefully crafted cover that simulates depth.

The Truth About the Truth Vol. 2 is, in this sense, a meta-object: a painting disguised as a book, created to speak about the book as a symbol, about painting as simulacrum, and about truth as a cultural construction rather than a certainty.






















Under The Table    
Molotow ink and acrylic paint on canvas, 132x100x89cm, 2025
















Wasting Time as a Rebellion Against Productivity
Molotow ink and acrylic paint on canvas, 170x130cm, 2025.











Quitting Smoking    
Molotow ink and acrylic paint on canvas, 20x20x4cm and 15x15x4 cm, 2025.